Independent Dance Workers

Last Updated: 7.14.2021

The following guidance is organized around the distinct categories: people, places, processes, and operator/employer plans. Additional recommendations, unique to our industry, are denoted in pink font.

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Table of Contents:

  1. People
  2. Places
  3. Processes
  4. Operator/Employer Plans

1. PEOPLE

Classification

ARCHIVED: Independent dance workers, note that your activities are likely considered moderate or high risk unless you are a soloist. The “type of dance risk” will vary based on the actual activities you plan to engage in and when, such as: individual or distanced group activities; organized no/low-contact group activities for specific, consistent groups; organized no/low-contact group activities for public groups; local performances and/or showings; and/or touring engagements of multiple performances and/or showings, requiring travel. 

Independent dance workers that are unionized, be sure to review your union guidance, as it may further classify your type of work and set additional regulations. Your employer and/or Responsible Parties should be aware of this guidance, but if not, please direct them to these resources to ensure they are working in alignment: 

  • Reference the most updated version of the American Guild of Musical Artists (AGMA) and Stage Directors and Choreographers Society’s (SDC) guidelines.
  • Reference SAG-AFTRA’s “Safety First” resources and The COVID-19 Return to Work Agreement, which is the outcome of unprecedented coordination and solidarity between the Directors Guild of America (DGA), International Alliance of Theatrical Stage Employees (IATSE), International Brotherhood of Teamsters (IBT) and the Basic Crafts, and Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA), created in collaboration with the Alliance of Motion Picture and Television Producers (AMPTP) to develop science-based protocols to minimize the risk of transmission, designed with the unique work environments of film and television production in mind. 

Physical Distancing

ARCHIVED: Independent dance workers, be aware of the various pod, bubble, or cohort systems that your employer or dance company may employ, such as:

  • A “bubbling” model, which allows a group of select individuals to interact mask-free due to established rules (eg. living together, no interaction with anyone outside of your bubble, etc.), medical protocols, tests, and vigilance. A presiding authority is required to decide what the rules, protocols, and vigilance measures should be for your bubble. See also: Pod, Cohort.  
  • A cohort model for internal groups, like a dance company or staff:
    • Use a survey to transparently explain the working cohort approach, expected participation, and any implications of opting out, as well as requesting comfort level ratings, questions, and concerns.
      • With members’ feedback, collectively finalize and agree on your cohort approach, with options to revisit it at any time or for members to opt-out without financial repercussion at any time.
    • A working cohort approach may look like:
      • Requiring a COVID test 14 days before returning to work.
      • Requiring 100% participation in self-quarantine for the 14 days of quarantine, before returning to work.
      • Confirming COVID test results, when available, with all cohort members.
        • Privacy note: Due to the HIPAA Privacy Rule, your HR department or another internal point of contact cannot legally save or track detailed personal test information; they can merely track the date and “pass/fail.” If you are not comfortable sharing a screenshot or paper trail of test results, consider providing this information over an unrecorded, password-protected zoom meeting (visually, without a paper trail, or verbally).
      • An agreement to not increase each cohort member’s social bubble throughout rehearsals/performances and/or an agreement to get additional testing or quarantine in the instance that social interaction increases.
      • An agreement around travel to and from rehearsals/performances that could be in the form of intentional studio and venue selection based on proximity, investing in a stipend for (and encouraging) non-public transit, and/or training around how to use public transportation in the safest manner possible, coupled with travel slated in during non-peak hours.
      • Requiring testing every two (2) weeks to ensure continued safety among the cohort.
      • In some instances, this approach may allow for partnering and dancing with contact, however, masks should remain on at all times.
    • A cohort is a group of select individuals within a larger group of individuals who are kept together to engage in their activity through scheduling measures that promote consistent separation of one cohort from another and therefore control interaction. See also: Pod, Bubble
  • Business model adjustment to create a cohort model for external groups, like dance classes and client rental bookings:
    • Note that when the individuals are not employees, the cohort model will need to be more lenient and focused on internal management and on-site health screenings as opposed to the individual testing, quarantining, and travel decisions of external parties.
    • Internally, the goal would be to reduce exposure by:
      • Instead of drop-in classes offered to the public at large, making multiple dance class sessions available for sign up over a specific period on different days or staggered within the same day.
      • Instead of ad hoc rentals offered to the public at large, prioritizing larger-scale rental commitments like lockouts, space partnerships, those with clients who have consistent space needs over a specific period, and/or one (1) rental client per day.
    • A cohort is a group of select individuals within a larger group of individuals who are kept together to engage in their activity through scheduling measures that promote consistent separation of one cohort from another and therefore control interaction. See also: Pod, Bubble

ARCHIVED: Independent dance workers, consider at least nine (9) feet of distance between dancers who are side by side and at least 12 feet of distance between those dancers who are in front and/or behind when taping off dance areas in a studio, theater, and/or performing arts centers

ARCHIVED: Independent dance workers, arrive with dance clothes or costumes on or under street clothes, whenever possible, to avoid communal gathering in dressing rooms, locker rooms, and bathrooms.

ARCHIVED: Independent dance workers, do not linger on-site and use the “get in, dance, get out” approach, as coined by Ausdance NSW, for all on-site dance activity.

  • In the instance that you or other dance workers are congregating and ignoring these requests from the Responsible Party (i.e., dance studio, theater, and/or performing arts space), note that the Responsible Party is empowered by state guidance to remove you and/or your group to eliminate congregating in their space and may further choose to restrict your access to their space in the future, out of respect for their entire community’s safety.

ARCHIVED: Independent dance workers, be sure to maintain social distancing and wear an acceptable face covering when conducting any media or press interviews, as is expected as part of the NYS DOH’s Media Production Guidance.”

ARCHIVED: Independent dance workers, consider limiting your work to one group or project at a time to reduce exposure to too many people. When this is not possible, consider increasing the frequency of your COVID testing to ensure that you are not putting anyone else’s health at risk.

Gatherings in Enclosed Spaces

ARCHIVED: Independent dance workers, be aware of the increased risk of exposure that comes with regularly using shared and/or enclosed spaces like elevators and restrooms. Avoid them when possible, and when this is not possible, be sure to have PPE and practice thorough hand hygiene.

On-Site Activity

BEST PRACTICE: Independent dance workers, consider these steps for a comfortable transition back to the indoor or outdoor studio/theater:

  • Establish (or ask for) clear communication and safety agreements and protocols with all company members about re-entry to the field.
  • Offer (or ask for) collective and anonymous methods of gathering dancer feedback and comfort level before reopening and on an ongoing basis.
  • Share (or ask for) any communication provided by the studio(s), theater(s), or performing arts center(s) you are working with.
  • Be flexible (or ask for flexibility) as you schedule dance activities (keeping travel safety in mind) and projects, residencies, performances, and tours (keeping commitments to a minimum in this time of great uncertainty).
  • Explore and integrate (or ask for) virtual/digital processes into your company’s workflow as a backup measure in the instance of 1) another lockdown and/or 2) some dancers opting out of indoor dance activity due to safety concerns.
  • Create (or ask for) a general “Dance Company Plan for Indoor Activity” for all indoor dance activities and measures the company agrees to abide by, in addition to the venue/Responsible Party’s safety measures.
  • Create (or ask for) a general “Dance Company Plan for Outdoor Activity” for all outdoor dance activities and measures the company agrees to make above, beyond, and/or in addition to the venue/Responsible Party’s safety measures.

ARCHIVED: Independent dance workers, ask what the “whistleblowing” method (that allows for real-time reports and ongoing, anonymous reports/surveys) is for you to share if you feel unsafe or uncomfortable, or if you see someone not complying with health and safety measures.

BEST PRACTICE: Independent dance workers, be sure to consistently use facilities’ digital pre-registration, pre-space booking, and pre-ticket reservations to book class, space, and/or buy tickets.

ARCHIVED: The following are recommendations for dancers and dance workers participating in outdoor performances or festivals:

  • Determine what “safe” interaction means for you, your dance company, or group, based on individual or group comfort levels, agreements, the implementation of any bubbling, pod, or cohort model, and how many artists or groups are being presented.
  • Ask for clarity on what the agreement is with the outdoor venue or festival, who is the Responsible Party in this instance, for safety protocols and support, along with any additional measures you, your dance company, or group wishes to and will independently enforce.
  • Adhere to socially distant public interaction during on-site classes or rehearsals leading up to the performance (taped off or otherwise marked areas for dancers, staff to enforce distance requests, etc.), keeping in mind that it is best practice to maintain at least six (6) feet of distance from the public at all times.
  • Understand whether or not a live audience is allowed, based on the size and nature of the outdoor space and its ability to accommodate both performers and the public/audience members safely.
  • Adhere to socially distant public interaction during the performance (taped off or otherwise marked areas for audience, staff to enforce distance requests, etc.), keeping in mind that it is best practice to maintain at least six (6) feet of distance from the public at all times.
  • Wear face masks at all times, unless you are explicitly allowed to remove them for the full or part of the performance. 
    • Note that “Dancers may temporarily remove their face covering during performances or rehearsals, or when it interferes with a core activity such as hair, makeup, or wardrobe. Dancers must don face coverings as soon as practicable following the above activities.” There is no further guidance given, so this exception would need to be approved by performers and presenters on a case-by-case basis. If certain groups proceed with performance without masks, consider acknowledging this and the reasons for this decision within the program.
  • Anticipate a disclaimer in performance promotion about the possibility of an understudy or change of repertory in the instance that you or another member of your company is confirmed to have COVID-19 or is experiencing symptoms near or around the performance date.

ARCHIVED: Independent dance workers, be aware that limited on-site staffing across studios, theaters, and performing arts centers may mean a more limited capacity for production elements and support.

ARCHIVED: If you are a dancer or dance worker who typically has on-site audiences,

  • Be sure to comply with all recommendations that apply to anyone entering the studio, theater, or performing arts center (e.g. mask-wearing, health screening, social distance, etc.)
  • Further, consider doing the following:
    • Encourage the prevention of on-site audiences for informal gatherings like showings and open rehearsals,
    • Use virtual streaming as an alternative to reach audiences.
    • If welcoming on-site audiences, abide by restricted capacity limits and any fixed or flexible audience seating recommendations, such as ensuring that individuals remain six (6) feet apart in all directions, are avoiding paths of airflow, and are located in a large open space with high ceilings, windows, and/or adequate HVAC and circulation requirements.

If you are a dancer or dance worker performing via live streaming without a live audience, consider separate agreements for live streaming apart from a standard performance/tour fee and further determine any conditions regarding the use of the live stream content.

ARCHIVED: If you are a solo dancer or dance worker, you may be permitted to rehearse and train without a mask, as long as you are the only individual in the space with the doors closed and windows open. Be sure to confirm with the Responsible Party/Parties.

Workplace Activity

If you are a dancer or dance worker who is a member of a company, ask for any new or updated safe workforce policies and procedures about workday schedules, remote time, lunch breaks, sick leave policy, and benefits.

Movement & Commerce

ARCHIVED: Independent dance workers, consider making the following travel requests of your company and/or group:

  • Can dancers be provided transportation or a stipend to avoid public transit?
  • Can classes, rehearsals, and other dance activities be strategically scheduled so that dancers can avoid public transit during rush hours? 
  • Can we use rehearsal locations close to where dancers live so that dancers may walk and/or bike?

ARCHIVED: If you are a dancer or dance worker who typically tours, note that touring is not currently permitted in New York State. The following are recommendations as you look to future touring engagements:

  • Consider your comfort level in resuming touring. 
  • Request that all social distancing, PPE, and hygiene protocols remain in place for dancers and audiences.
  • Confirm from those planning the tour that additional safety measures will be budgeted for, confirm what those measures are, and understand the implications if you choose to not participate close to the touring date.

ARCHIVED: Independent dance workers, be aware of and communicate these precautions for anyone traveling—for work or otherwise:

  • Travel enforcement teams will be stationed at airports statewide to meet arriving aircraft at gates, and to request from disembarking passengers proof of completion of the State Department of Health traveler form, which they received in flight.
  • All out-of-state travelers from designated states must complete the form upon entering New York. Travelers coming to New York from designated states through other means of transport, including trains and cars, must fill out the form online.
  • The New York State Department of Health updated the COVID-19 Travel Advisory so that as of April 10, asymptomatic travelers entering New York State from another country, U.S. state, or territory are no longer required to test or quarantine. Quarantine, consistent with the CDC recommendations, is still recommended for all travelers who are not fully vaccinated or have not recovered from laboratory confirmed COVID-19 during the previous three months. Symptomatic travelers must immediately self-isolate and contact the local health department or their healthcare providers to determine if they should seek COVID-19 testing.

2. PLACES

Air Handling Systems

ARCHIVED: Independent dance workers, be mindful of the air-conditioning and/or fan direction within your space, and avoid lining up or dancing in that airflow path.

  • Exercising indoors can pose a greater risk of transmission than exercising outdoors for multiple reasons, including less airflow and being in an enclosed space.
  • Being in an enclosed space with others for longer than 10 min increases the chances of exposure and infection. 
  • Talk to your manager or the manager of the space about what has been implemented to ensure proper ventilation. 
  • Follow any directions or signage in the space about keeping windows/doors open.
  • Follow any direction or signage in the space about adjusting fan or AC settings.

Protective Equipment

ARCHIVED: Independent dance workers, consider the following when dancing in a mask:

  • A mask will make it harder to breathe during exercise initially and dancers should self-monitor for symptoms of light-headedness, dizziness, numbness or tingling, and shortness of breath 
    • Monitor the intensity of your class/workout as you get used to wearing a mask during exercise.
    • Your body will adapt over a few weeks to wearing a mask 
    • If you start to feel dizzy, imbalanced, or over-fatigued, stop your activity and rest. 
  • Do your best not to remove your mask during class or rehearsal. If you do need to remove your mask, dispose of single-use masks in the trash or place a reusable mask into its own sealable bag, wash your hands and/or use an alcohol-based hand sanitizer, letting them dry for 30 seconds, and then replace your used mask with a clean one. 
    • You may require multiple masks to get through the day. 
    • If your mask becomes saturated with moisture from breathing or sweat you need to change into a dry mask. 
    • A wet mask is less efficient than a dry mask at filtering bacteria and viruses. 
  • Disposable masks should be worn only once and then replaced with a fresh mask. 
  • All reusable masks should be cleaned ideally in a washer with hot water and soap and then dried in a dryer before next use.
    • Ironing on the highest setting can also disinfect the mask after washing and drying.
    • There are now multiple commercial reusable mask options available for use during dance/exercise.

Hygiene, Cleaning & Disinfection

BEST PRACTICE: Independent dance workers, consider having additional hand sanitizer for your regular use, especially when in enclosed or shared spaces.

ARCHIVED: To all dancers and dance workers: Participate in digital training on COVID-19 safety including hand and respiratory hygiene, PPE protocols and access, and cleaning and disinfection protocols and procedures, and explore ongoing, regular training sessions. Example resources include: 

Phased Reopening

ARCHIVED: Independent dance workers, consider the timing of your end goal:

  • Does it make sense for you and other dancers to return to the studios to condition if safe performance cannot happen until months later?
  • How will you make space to recondition your and other dancers’ endurance and strength after such an extended and unusual layoff/industry pause? 
    • Since you have had to condition in smaller spaces, on different floor surfaces, and/or with varied instruction, you will need an appropriate and graded progression back to full dancing that will require a minimum of four to six (46) weeks depending on your company and dance genre. 

ARCHIVED: Independent dance workers, consider suggesting phased-in dance activity to your company/group, such as one with the following steps:

  • Quarantine for 14 days before resuming regular rehearsal/training activity to establish a cohort.
  • Have a dance company liaison coordinate advance needs and protocols with the studio, theater, or performing arts center(s) at which you are training and rehearsing and clearly relay information to your dance company. 
  • Prioritize any solo, duet, or trio repertoire before resuming group repertoire, as practicable. 
  • Integrate digital media for streamed teaching or performance, as practicable.
  • Resume live performance or showings with live audiences as your final phase of re-entry.
  • See Dance/USA’s “Return to Dancing & Training Considerations” for a more detailed example of a phased reopening approach for dance activity. (Published May 2020)

BEST PRACTICE: Independent dance workers, consider suggesting a phased-in approach for dancers to your company/group:

  • Phases One to Three (Weeks 06) are characterized by the re-acquisition of skill and increase in strength and endurance. 
  • Phases Four and Five (Weeks 7 plus) are characterized by the reintroduction of more complex skills and increased intensity and duration of training.
  • Review these phases and strategies in further detail, as presented in Performance Medicine’s Return to Dance Safely for a simple yet effective way to apply scientific loading principles and research so that you can return to dance in a safe and sustainable way.

Communications Plan

ARCHIVED: If you are a dancer or dance worker who is a member of a company or organization, consider asking for your employer’s reopening plans, safety protocols, and contact information for points of contact/site safety managers/liaisons if it has not been readily provided to you. If not explicitly included, additionally ask for:

  • A plan for addressing those (employees or public) who refuse to comply with NYS guidance and/or the facility safety protocols.
  • A written agreement in place for dancers to confirm agreement or discuss alternate options

ARCHIVED: If you are a dancer or dance worker who leads a project, collective, or company, consider establishing a written agreement with your staff/group to ensure that your reopening plans, safety protocols, points of contact, and site safety managers have been received and reviewed by all.

  • Include an option to sign and date in agreement with the caveat that the employee or employer can revisit and request changes to the agreement/protocol at any time.
  • Include an option to sign, date, and opt out of the agreement; provide what the implications or compromise will be (repositioned within a staff department in need of support, provided a new company role during this interim period, asked to lead or build out virtual dance activities, engaged with an hybrid in-person and remote activity, etc.), ideally without loss of payment, job, or original pre-COVID position.
  • In the instance of a significant (more than 50%) lack of consensus, your reopening plans should be revisited and amended to ensure the safety and security of your dancers and staff to the best of your ability.

BEST PRACTICE: If you are a dancer or dance worker who leads a project, collective, or company, consider digital and, if relevant, on-site signage related to your specific public reopening protocols, disclaimers, and/or codes of conduct to ensure transparency among everyone who engages with your project, collective, or company.

  • Further ensure that dancers or dance students with lived experience of disability fully understand the health risks and COVID safety measures and consent to participating in rehearsal, class, and/or performance with the knowledge they can withdraw, as desired, at any point.

If you are a dancer or dance worker who leads a project, collective, or company, ensure all COVID-19 information and reopening protocols are communicated clearly and accessibly, whether written or spoken:

  • For all digital communication to your dance community (e.g. via Facebook or in your e-newsletter), ensure images are verbally described in the image’s caption and ensure that information can be read via screen readers (e.g. avoid screenshots of Twitter posts).

  • Review Web Content Accessibility Guidelines (WCAG) to further your digital accessibility measures.

  • Depending on student/staff/parent cohorts, consider providing ASL interpretation of health updates, Braille versions of key signage and a COVID safe badge, and Easy Read versions of all or select COVID-related communications to support those who are deaf/hard of hearing, those who are blind/vision-impaired, or those with intellectual disability.

  • For spoken communication to people with companions, ensure communication is directed squarely to the person and not their companion.

BEST PRACTICE: Independent dance workers, consider communicating (e.g. on your website, in rental agreements, in class and space confirmation emails) and/or asking what cleaning and disinfectant products are being used in your rehearsal space to avoid any allergic or anaphylactic reactions.

3. PROCESSES

Screening & Testing

BEST PRACTICE: Independent dance workers, encourage all dancers to self-monitor their symptoms. This may include but is not limited to:

  • Checking for fever > 100.4 degrees Fahrenheit, cough, shortness of breath twice a day 
  • Daily review of other symptoms that could be related, e.g. sore throat, congestion, headache, muscle and joint pain, chills, nausea or vomiting, diarrhea, loss of sense of smell, pink eye 

Anyone who develops symptoms should leave immediately, seek care from their physician, and isolate.

ARCHIVED: Independent dance workers, please consider participating in health screenings before any indoor or outdoor activities/gatherings, and understand that Responsible Parties may also require more than one (1) screening per day (e.g. if you exit and re-enter the facility).

If you are a dancer or dance worker who does not have health insurance, know that COVID-19 testing is free, confidential, and available at various locations. Those seeking health insurance may consider visiting:

Independent dance workers, know your rights when it comes to the HIPAA Privacy Rule and guidance from the Equal Employment Opportunity Commission regarding confidentiality of medical records from health checks. Health checks that use only pass/fail are permissible, whereas your actual temperature and any additional health details are your private information and are not to be shared or tracked.

  • If you are a disabled artist, note that the ADA permits employers to exclude employees with a medical condition that would pose a direct threat to health or safety, which is to be determined based on the best available objective medical evidence. Guidance from CDC or other public health authorities is such evidence. Therefore, employers will be acting consistent with the ADA as long as any screening implemented is consistent with advice from the CDC and public health authorities for that type of workplace at that time. 

ARCHIVED: Independent dance workers, be aware of and, when relevant, communicate in advance what information individuals are required to disclose in daily health screenings and temperature checks and what happens if someone contracts COVID-19.

ARCHIVED: Independent dance workers, ask or determine who the Responsible Parties’ central point of contact is. This point of contact may vary by activity, location, shift or day; they are responsible for receiving and attesting to having reviewed all health screening questionnaires, and for receiving information from patrons/dancers/teachers/audience members who later experience COVID-19-related symptoms.

Tracing & Tracking

ARCHIVED: If you are a dancer or dance worker covered by Worker’s Compensation Insurance, reach out to your point of contact to determine if it covers you in the instance that you contract COVID-19 while on the job.

ARCHIVED: Independent dance workers, remember that if you are alerted, via tracing, tracking, or another mechanism, that you have come into close or proximate contact with a person with COVID-19, you are required to self-report to any and all employers at the time of alert and shall follow any protocol provided.

  • The best practice would be to self-quarantine for a period of 14 days after learning of your potential exposure.

ARCHIVED: If you are a dancer or dance worker conducting or participating in outdoor performances, consider your ability to foster a safe environment with screening, tracing, and tracking capability for all dancers and audiences by using:

  • Tickets and RSVPs, with all necessary contact information, required for attendance
  • On-site staff to manually collect necessary information to the best of their ability
  • A “sign-in” for the public when performing in a public space to capture necessary information to the best of your ability

Proceed with all of the above with the full understanding and transparency that you are not going to be able to enforce full public participation and/or cannot ensure the safety of yourself, other dancers, or the public this way.

ARCHIVED: Independent dance workers, in the instance that you or dancers you work with have a confirmed case of COVID-19:

  • BEST PRACTICE: Immediately notify your supervisor, HR representative, the Responsible Party’s contact person, and/or the Responsible Party’s site safety monitor, who will notify their respective public health authority that will contact the state agency to begin contact tracing.
  • With the local public health authority and the Infection Mitigation Coordinator, dancers and dance workers will identify the areas of the facilities, housing, modes of travel, etc. where the infected individual visited.
  • Independent dance workers will notify any known individuals who were within six (6) feet of the infected individual, and must immediately report the instance to their employers and must quarantine for 14 days.
  • The spaces in which the infected individual remained longer than 10 minutes will be closed for 24 hours, ventilated, cleaned, and disinfected.
  • The infected individual can return to work following:
    • At least 14 days of isolation since symptoms first appeared and at least 24 hours with no fever without fever-reducing medication and with other symptoms improving.
    • At least 14 days of isolation since the date the infected individual had their positive test, if the individual was asymptomatic and continued to have no symptoms.
    • Note: The infected individual is not required to undergo further testing unless recommended by their health care provider.
      • A healthcare provider may recommend that the infected individual undergo repeat testing for COVID-19 to end their isolation earlier than would be done according to the criteria above. If so, they can be around others after they receive two (2) negative test results in a row, from tests done at least 24 hours apart.
      • If the infected individual has a severe illness from COVID-19 (admitted to a hospital, needed oxygen), your healthcare provider may recommend that you stay in isolation for longer than 14 days after your symptoms first appeared (possibly up to 20 days) and you may need to finish your period of isolation at home. If testing is available in your community, your healthcare provider may recommend that you undergo repeat testing for COVID-19 to end your isolation earlier than would be done according to the criteria above. If so, you can be around others after you receive two (2) negative tests results in a row, from tests done at least 24 hours apart.
      • You only undergo repeat testing at the recommendation of your healthcare provider and that is done only if they want to end the isolation earlier than normal for the case type.

ARCHIVED: Independent dance workers, in the instance that you or dancers you work with have a confirmed case of COVID-19 mid-residency or tour, consider doing the following:

  • BEST PRACTICE: Immediately notify your employer contact person and the contact person of the residency/tour location, both of whom will notify their respective public health authority that will contact the state agency to begin contact tracing.
  • Implement all of the protocol outlined above under “in the instance that you or the dancers you work with have a confirmed case of COVID-19,” and ask your employer for further support during the isolation and/or quarantine period of 10-14 days, respectively, which may include:
    • Coordinating food, laundry service, additional per diem, and any other support possible for the company members isolating and quarantining away from home.
    • Cancelling or postponing all dance activity throughout the duration of the isolation and quarantine period.

4. OPERATOR/EMPLOYER PLANS

ARCHIVED: If you are a dancer or dance worker, ask for and/or follow the protocols provided to you by your employer. Remember that Responsible Parties may vary depending on the dance activity you are engaging in and where (in some instances the Responsible Party may be your company; in other instances, it will be the studios, theaters, and/or performing arts centers in which your work takes place). The protocols of each Responsible Party may vary. If you are not comfortable with a Responsible Party’s safety measures or lack thereof, consider discussing this with the Responsible Party, reconsidering your engagement, establishing increased safety measures for yourself, and/or filing a general or zone-based report.

ARCHIVED: Independent dance workers, please note how Responsible Parties are determining their industry classification, their ability to reopen, and the complexity of their reopening efforts:

Please note that:

  • Organizations that align with multiple industries may have more than one industry classification that is relevant. This may allow them to open certain parts of their business, but not all, which will affect how they phase their reopening. E.g.:
    • NAICS 711510 – Independent Artists, Writers, and Performers is currently “operating with restrictions (as of 01/27/21) — which likely applies to you; however,
    • NAICS 711120 – Dance Company is “currently closed” (as of 01/27/21);
    • NAICS 561110 – Office Administrative Services is currently “open for business” (as of 01/27/21);
    • NAICS 711310 – Promoters of Performing Arts, Sports, and Similar Events with Facilities is currently “operating with restrictions” (as of 01/27/21);
    • NAICS 711320 – Promoters of Performing Arts, Sports, and Similar Events with Facilities is currently “operating with restrictions” (as of 01/27/21); and
    • NAICS 711219 – Other Spectator Sports is currently “operating with restrictions” (as of 01/27/21).
  • That said, there is no guarantee that an inspector will agree with or use the industry classification(s) that a business selects. If they do not agree, and feel the classification should be under a different industry that is not yet allowed to reopen or has different requirements, the business may be subject to violations and/or closure.
  • Beyond the guidance that is associated with the industry, further guidance may be required and may need to be integrated into the business’ reopening plans depending on its business model (e.g. DOE regulations, union regulations, university regulations, office administrative service regulations, etc.). 
  • No one should reopen or re-engage in their dance activity until they can do so safely with all recommended guidance implemented and integrated into their tailored reopening plans.
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